{"id":4255,"date":"2024-08-29T11:59:25","date_gmt":"2024-08-29T09:59:25","guid":{"rendered":"https:\/\/cambio-aktionswerkstatt.de\/?post_type=pad&p=4255"},"modified":"2024-10-17T17:53:27","modified_gmt":"2024-10-17T15:53:27","slug":"political-art-days-2024-filme","status":"publish","type":"pad","link":"https:\/\/cambio-aktionswerkstatt.de\/en\/pad\/political-art-days-2024-filme\/","title":{"rendered":"Political Art Days 2024: Filme & Performances"},"content":{"rendered":"

Folgende Filme und Performances werden bei den Political Art Days 2024: Degrowth<\/a> zu sehen sein:<\/p>\n\n\n\n

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Filmscreening: ,,Marketable People: When a man becomes a commodity“<\/strong> (DEU&ENG)
Date: Friday, 18th October, 18:30 – 20:10
Room: Small Room<\/h6>\n
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Documentary<\/p>\n\n\n\n

Germany, 2020<\/p>\n\n\n\n

Regie: Leslie Franke & Herdolor Lorenz<\/p>\n\n\n\n

German (with English subtitles)<\/p>\n\n\n\n

90 min<\/p>\n<\/div><\/div>\n<\/div><\/div><\/div>\n\n\n\n

Europe is experiencing radical change. Since the new millennium and after the financial crisis a new course has been set. Solidarity systems within society, which have been hard fought for since decades, are being questioned. In particular the human beings within the labour market are changing rapidly. This is where the film \u201eMarketable People\u201d is positioned.<\/p>\n\n\n\n

More info & trailer here<\/a><\/p>\n<\/div><\/div>\n<\/div>\n\n\n\n

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Filmscreening & Discussion with the Directors joining online: ,,Outgrow the System“<\/strong> (SWE&ENG)
Date: Sunday, 20th October, 17:00 – 18:30
Room: Small Room<\/h6>\n
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Documentary<\/p>\n\n\n\n

Sweden, 2023<\/p>\n\n\n\n

Directors: Cecilia Paulsson & Anders Nilsson<\/p>\n\n\n\n

Swedish & English (with English subtitles)<\/p>\n\n\n\n

58 min<\/p>\n<\/div><\/div>\n<\/div><\/div><\/div>\n\n\n\n

A documentary about transitioning to a sustainable economic system.<\/p>\n\n\n\n

The original meaning of the word \u201deconomy\u201d is „household management\u201d. The economy of today however, is not householding, but rather consuming our finite natural resources at an alarming pace.<\/p>\n\n\n\n

„Outgrow the System“ explores how we can return to the essence of the term and design an economic system that genuinely manages our scarce resources.<\/p>\n\n\n\n

Beyond the narrow mainstream debate and the teachings of business schools, numerous new economic ideas and practices are emerging. They challenge old assumptions and offer fresh perspectives on how we can reorganize our production and consumption, in order to ensure our survival as a species on this planet. „Outgrow the System“ aims to bring these transformative ideas to the forefront. It celebrates the abundance of creativity and ideas that exist worldwide, urging them to collide and converge.<\/p>\n\n\n\n

After the screening, we will open up an Online conversation between the directors Cecilia Paulsson & Anders Nilsson and the audience.<\/p>\n\n\n\n

More info & trailer here<\/a><\/p>\n\n\n\n

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DEGROWTH SLAM<\/strong> (DEU&ENG)
Date: Saturday, 19th October, 21:00 -22:00
Room: Project Room<\/h6>\n
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In vier zehnmin\u00fctigen Beitr\u00e4gen stellen die Slamer*innen verschiedene Aspekte von Degrowth vor: ohne komplizierte Fachbegriffe, jede*r in ganz eigenem Stil. Nach jedem Slam gibt es Zeit f\u00fcr Fragen von dem Publikum.

Seid gespannt auf:<\/p>\n\n\n\n

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Cailiosa<\/strong> \u00fcber ,,Regieanweisung f\u00fcr den Klimawandel \/ Stage directions for climate change“ (DEU)<\/h6>\n
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Was, wenn wir den Klimawandel ernst nehmen? Was, wenn wir ihm einen Namen geben und ein Theaterst\u00fcck schreiben, in dem er die Hauptrolle spielt? Wir schreiben die Rolle so, dass der Klimawandel die gro\u00dfen Firmen zerst\u00f6rt, die ihn verursacht haben. Aber was, wenn er sich pl\u00f6tzlich nicht mehr an die Regieanweisung h\u00e4lt?<\/p>\n\n\n\n

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Cailiosa<\/strong> studiert in Halle. Wenn sie das gerade nicht macht, schreibt sie f\u00fcr Slam B\u00fchnen. \u00dcber leise Stimmen. \u00dcber Schultern, an denen mensch sich anlehnen kann. \u00dcber die kleinen Dinge, die manchmal doch die gro\u00dfen sind. \u00dcber Solidarit\u00e4t mit Menschen, Tieren, Pflanzen. \u00dcbereinander. \u00dcberall.<\/p>\n<\/div><\/div>\n<\/div><\/div><\/div>\n<\/div><\/div>\n<\/div>\n\n\n\n

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Dr. Arch. Alejandro de Castro Mazarro (Leibniz Institut)<\/strong> \u00fcber ,,What are cities made of? Where are cities made from? Woraus sind St\u00e4dte gemacht? Woher sind die St\u00e4dte gemacht?“ (ENG)<\/h6>\n
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Green cities are wonderful places where trees and flowers grow, but: what are they made of? Where does their matter come from? In this science slam we will quickly travel through the places that make urban places, and see how their transformation calls for the need of an urban degrowth.Gr\u00fcne St\u00e4dte sind wunderbare Orte, an denen B\u00e4ume und Blumen wachsen, aber: Woraus bestehen sie? Woher kommt ihre Materie? In diesem Science Slam werden wir schnell durch die Orte reisen, die urbane Orte ausmachen, und sehen, wie ihre Umwandlung die Notwendigkeit eines st\u00e4dtischen R\u00fcckgangs erfordert.<\/p>\n\n\n\n

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I am a postdoctoral researcher that investigates the impacts of urbanization on the regions from which the materials for building cities come from. Using foresight analysis, he searches for governance pathways that may reduce resource consumption in overdeveloped urban areas while mitigating environmental injustices in resource extraction regions.<\/p>\n<\/div><\/div>\n<\/div><\/div><\/div>\n<\/div><\/div>\n<\/div>\n\n\n\n

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Sarah Devecchi<\/strong> \u00fcber ,,Sustainable or just better?“ (ENG)<\/h6>\n
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I would like to present the topic of my PhD research, which is sustainability assessments within the planetary boundaries (PBs). I’d like people to become familiar with the concept of PBs and their relation with growth, along with the way in which these boundaries are quantified. Moreover, i envision a discussion with a  focus on the distributive justice principles that can be used to allocate the right to „impact“ the plane.<\/p>\n\n\n\n

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I am a young PhD researcher with an interdisciplinary background in sustainability science. I like to think at sustainability as a ever evolving field and with so many different application that can potentially suit everyone. My studies are now in sustainability quantification within the planetary boundaries, but I enjoy more to make it and experience it in real life. I like to talk to people and connect, that I believe it’s a very strong mean to leave an impact. I look forward to the PAD festival!<\/p>\n<\/div><\/div>\n<\/div><\/div><\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n\n\n

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Friederike Habermann<\/strong> ,,R\u00fcckblick auf 2025. Oder: Wie uns die Transformation gelang“ (DEU)<\/h6>\n
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Mein Vortrag aus dem Jahre 2125 anl\u00e4ssig eines Kongresses, um das
hundertj\u00e4hrige Jubil\u00e4um der Wende hin zum Guten Leben f\u00fcr alle zu
feiern.<\/p>\n\n\n\n

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I am an economist and a historian with a phd in political science as well as an activist since 1980, trying to find ways into a future enabling a good life for all.<\/p>\n<\/div><\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n\n\n



Moderation: Kristina von https:\/\/metro-polis.online\/ <\/p>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n\n\n

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Performance: ,,SOLO\u201d<\/strong>  – mit Valentin Reichert & Elias St\u00f6rr (Yes-oder-Nie! – Improtheater)
Date: Sunday, 20th October, 19:00 – 19:30
Room: Outside or Autrium<\/h6>\n
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\u201cIch bin alleine. Ich hab nur mich selbst. Und euch.<\/p>\n\n\n\n

Ich spiele Improtheater – wei\u00df nicht, was kommt, wer ich bin, was passieren wird.<\/p>\n\n\n\n

Mich begleitet mein Musiker, auf eine Reise ins Unbekannte.<\/p>\n\n\n\n

Keine Requisiten, keine Verkleidung, kein B\u00fchnenbild – nur pure Fantasie!<\/p>\n\n\n\n

Ich nehme eure Energie, eure Vorschl\u00e4ge, eure Ideen und kreiere daraus Geschichten.  Eine Show wie das Leben – unvorhersehbar!\u201d

Improtheater ist eine Theaterform, die nachhaltiger nicht sein kann. Wir brauchen keine aufwendigen Kost\u00fcme oder Kulissen – das Spiel mit der Vorstellungskraft reicht, um eine Welt zu erschaffen, die immer einzigartig ist. Das Zusammenspiel zwischen dem Publikum und den Spieler*innen ist ein Hauptbestandteil beim Improtheater, weil beide erg\u00e4nzen und bereichern sich gegenseitig. Sie geben sich die n\u00f6tige Energie, um einen tollen Abend zusammen zuhaben.
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Valentin Reichert (Yes-oder-Nie! – Improtheater)<\/strong><\/p>\n<\/div><\/div>\n\n\n\n

Valentin Reichert spielt seit 2015 im Ensemble „Yes oder Nie!“ in Dresden Improtheater. Angefangen damit 2008, beschloss er sein Hobby zum Beruf zu machen. Urspr\u00fcnglich machte er 2018 seinen Abschluss als Diplom-B\u00fchnen- und Kost\u00fcmbildner an der „Hochschule f\u00fcr Bildende K\u00fcnste Dresden“, aber dann zog es ihn doch eher auf die B\u00fchnen, als dahinter. Seit 2021 leitet er mit einem tollen Team zusammen den „Kulturhafen Dresden“ in Pieschen, wo er regelm\u00e4\u00dfig Kurse leitet und Shows mitspielt.
Mehr Infos here<\/a>!
(Foto credit: Baldauf&Baldauf)<\/p>\n\n\n\n

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Elias St\u00f6rr<\/strong><\/p>\n<\/div><\/div>\n\n\n\n

Der im Vogtland aufgewachsene Pianist Elias St\u00f6rr fand schon fr\u00fch den Weg zum Klavier. Im Alter von 7 Jahren entdeckte er das Instrument f\u00fcr sich und erkundete in den darauffolgenden Jahren haupts\u00e4chlich klassische Literatur. Damit einher gingen zahlreiche Wettbewerbserfolge im Bundeswettbewerb Jugend Musiziert, dem Christoph-Graupner-Wettbewerb und anderen Preisen, bis er sich mit 18 Jahren auch dem Jazz und der Improvisation hingab. Er studiert nun das Fach Jazzklavier an der Hochschule f\u00fcr Musik \u201eCarl Maria von Weber\u201c Dresden und ist neben dem Klavierspiel auch kompositorisch f\u00fcr verschiedene Ensembles und Genres t\u00e4tig.
(Foto credit: Makus K\u00f6pke)<\/p>\n<\/div><\/div><\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n\n\n

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